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Art of fakery

Melissa McCarthy plays a convincing, scheming Lee Israel in Can You Ever Forgive Me?

Change in the Air muses on themes of grief and hope, but leaves unanswered questions

Boy Erased depicts only the worst of reactions to LGBT individuals 


Recent

22 July takes a hard look at a mass killer’s deeds, but offers no redemption in their place

Moonwalker biopic First Man shows the ordinary and fleeting nature of mankind’s greatest achievement

In Leave No Trace, isolation bonds a father and daughter—and drives them apart

The Hate U Give tackles important topics but offers hollow advice

Sitting through a press conference with director Alfonso Cuarón following his lovely film Roma