The Other Guys | WORLD
Logo
Sound journalism, grounded in facts and Biblical truth | Donate

The Other Guys


Macall Polay/Columbia TriStar

The Other Guys
You have {{ remainingArticles }} free {{ counterWords }} remaining. You've read all of your free articles.

Full access isn’t far.

We can’t release more of our sound journalism without a subscription, but we can make it easy for you to come aboard.

Get started for as low as $3.99 per month.

Current WORLD subscribers can log in to access content. Just go to "SIGN IN" at the top right.

LET'S GO

Already a member? Sign in.

The Other Guys delivers yet another rude, crude, and over-the-top offering from director Adam McKay, who attempts to piece together a pedestrian storyline with sophomoric humor and cheap laughs.

New York City detectives Allen Gamble (Will Ferrell) and Terry Hoitz (Mark Wahlberg) are both working desk jobs, the former because he desires the safety and security that come with the position, the latter because he accidentally shot New York Yankees shortstop Derek Jeter. While Gamble enjoys writing up paperwork for the department's resident super-cop action stars, P. K. Highsmith and Christopher Danson (Samuel L. Jackson and Dwayne Johnson), Hoitz is eager to get back on the street. He gets his chance when Gamble's seemingly routine investigation of a capitalist's failure to secure scaffolding permits uncovers a massive Ponzi scheme with billions of dollars and several lives at stake.

On its face, this setup is at least mildly interesting. Unfortunately, McKay appears most interested in lengthy, moronic attempts at humor that suffocate any chance this film has at establishing any sort of rhythm or flow. No one can run a joke into the ground like Adam McKay, and the more idiotic or puerile the joke, the less likely he is to let it go.

All that being said, The Other Guys (rated PG-13) does earn some laughs. The dough-faced, pudgy Gamble's uncanny ability to attract beautiful women and his nonchalant attitude toward this gift-he refers to his lovely wife Sheila (Eva Mendes) as his "ball and chain"-mystifies his partner Hoitz. And Highsmith and Danson's cavalier, testosterone-fueled antics yield their fair share of disbelieving chuckles. Action fans will appreciate some of the well-choreographed stunts in this film.

Despite the generally weak material Ferrell, Wahlberg, and company are working with, give them credit for embracing their roles with gusto. They genuinely appear to be enjoying themselves, which is probably more than can be said about their audience. -Michael Leaser is editor of FilmGrace and an associate of The Clapham Group


Michael Leaser Michael is a former WORLD correspondent.

COMMENT BELOW

Please wait while we load the latest comments...

Comments