Wolf Hall

The problem with entertainment based on historical figures is that unless the film speculates to some degree about the emotions and desires behind their actions, it can be hard to feel invested in their stories. What are the stakes when we already know how their lives end?

The British series Wolf Hall, which begins airing on PBS on April 5, traces the rise of Henry VIII’s chief advisor Thomas Cromwell with impressive performances, opulent costuming, and atmospheric settings, yet there’s something lifeless about the whole affair. With the exception of Anne Boleyn (Claire Foy), whose determination to become queen provides the show’s narrative force, we don’t understand the characters’ motives well enough to root for or against any of them.

As in the Hilary Mantel novel on which it’s based, Wolf Hall provides the British History 101 basics on Henry VIII (Damien Lewis)—he’s lustful and wants a son. But what sort of personality does it take to angle for the execution of a woman who only three years earlier he loved (or wanted) so much he upended his kingdom for her? Wolf Hall answers this question with only the broadest brush.

Mark Rylance’s nuanced performance gives more depth to Cromwell, yet the character remains enigmatic. We’re never sure if he’s a treacherous court manipulator or a weary political pragmatic determined to protect William Tyndale and other Protestant Reformers.

To its credit, unlike many historical dramas, Wolf Hall treats Christianity as more than a sword warring factions wield to gain power. Though we never see Tyndale, his Bible translation casts a huge shadow over events. It’s curious that Tyndale and Catholic philosopher Thomas More, who, though divided in matters of doctrine are united in refusing to sanction the King’s divorce from Catherine of Aragon, emerge as the most principled players, both losing their lives for their point of agreement.

Though most of the episodes feature a smattering of foul language, the theological debates between Cromwell and More make Wolf Hall worthwhile viewing, even if we are left wondering at the deeper personalities behind the sumptuous court masks.