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Three's a crowd

You, Me and Dupree defends marriage but still has fatal flaws


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You, Me and Dupree is a movie that most WORLD readers will not want to see for at least two reasons. Strike one: As critics have complained, it's sold as a comedy but the laughs are rare. Strike two: It's rated PG-13 for sexual content, brief nudity, crude humor, language, and a drug reference.

Nevertheless, its depiction of marriage and maturity is a cut above the Hollywood average. The central character is a just-married young man played by Matt Dillon who doesn't know how to be a man. He's pulled one way by his best friend, a ne'er-do-well played by Owen Wilson, who's been in this role before: Hey, we're in our 30s but let's pretend we're still kids. He's pushed another way by a capitalist boss (and the father of the new bride) played by Michael Douglas, who's depicted that cliché many times before: I'll control your life and you'll like it because we'll make lots of money.

The pressure of having the homeless ne'er-do-well living in their new home gets to the bride, played with appropriate reserve by Kate Hudson. The pressure of working long hours for a soulless boss gets to the husband. Dillon's character could end up like one of his friends, henpecked and trying to find joy in pornography. Or he could end up divorced. Or he could strangle his former best friend. Or he could restore his marriage by standing up to tyranny and maturing beyond fecklessness.

I'm not recommending this "comedy" because of the two strikes against it, but it's a positive sign that a major Hollywood production finds marriage worth fighting for, and growing up as something that's hard to do but still worth doing.


Marvin Olasky

Marvin is the former editor in chief of WORLD, having retired in January 2022, and former dean of World Journalism Institute. He joined WORLD in 1992 and has been a university professor and provost. He has written more than 20 books, including Reforming Journalism.

@MarvinOlasky

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