Say it ain't so
Keaton's romantic comedy gives new meaning to retro
Full access isn’t far.
We can’t release more of our sound journalism without a subscription, but we can make it easy for you to come aboard.
Get started for as low as $3.99 per month.
Current WORLD subscribers can log in to access content. Just go to "SIGN IN" at the top right.
LET'S GOAlready a member? Sign in.
For a romantic comedy to work-especially one set solely in the land of polka-dot shirtwaist dresses, artsy beachside lofts, and lavishly decorated butter-cream cakes-the premise must be grounded in reality. Though Diane Keaton's latest vehicle, Because I Said So (PG-13 for sexual content), possesses all those pretty ancillary qualities in spades, it is missing the main ingredient.
Keaton returns to familiar territory as Daphne, a pastry chef and single mom to three grown daughters. With her shrieking emotions barely contained by her buttoned-up persona (Something's Gotta Give, anyone?), Daphne involves herself with the love life of her youngest daughter, Milly (Mandy Moore), to the point of voyeurism. She takes out a personal ad on Milly's behalf and then interviews would-be suitors. Of the parade of men who respond, only two are acceptable: Jason (Tom Everett Scott), a successful but uptight architect, and Johnny (Gabriel Macht), a warm single father (one guess which one Milly likes and which one Daphne likes for her).
As a battle over the choice ensues, Milly learns to think for herself, and Daphne learns that life and love can begin anew after 60.
Despite its endorsement of casual sex, Because I Said So embraces a ridiculously retro ethos. We are given no reason why Daphne should worry that "there isn't time left" for her successful, attractive, twenty-something daughter to settle down. And we are offered no explanation as to why a young woman who has built a thriving catering business would be so cowed by her mother in matters of the heart. Most unbelievable: We are supposed to accept that not one, but many men have rejected the likes of Mandy Moore simply because she is a bit clumsy and has a peculiar laugh.
Heaped on top of these implausibilities is a parade of jokes that range from the crude to the banal. In the end, while the mixture looks sweet, it goes down decidedly sour.
Please wait while we load the latest comments...
Comments
Please register, subscribe, or log in to comment on this article.