Nine lives | WORLD
Logo
Sound journalism, grounded in facts and Biblical truth | Donate

Nine lives

Crime drama should be in theaters


You have {{ remainingArticles }} free {{ counterWords }} remaining. You've read all of your free articles.

Full access isn’t far.

We can’t release more of our sound journalism without a subscription, but we can make it easy for you to come aboard.

Get started for as low as $3.99 per month.

Current WORLD subscribers can log in to access content. Just go to "SIGN IN" at the top right.

LET'S GO

Already a member? Sign in.

The Nine (Wednesdays, ABC 10:00 ET) works well on every level except perhaps the most crucial one for a show that aired in the fall after Lost. At first it doesn't flesh out the characters adequately, and the scripts are so tightly written that missing even a few minutes makes it hard to understand the action.

The show's plot focuses on the lives of nine characters held hostage in a bank for more than two days. In retrospect it fleshes out what happened during the 52-hour crisis and how that event transformed the characters' lives.

A nebbishy insurance company drone (John Billingsley), about to commit suicide in the men's room at the bank, becomes a hero during the hostage crisis-but finds afterwards that he can no longer tolerate certain people in his former life. A cop (Timothy Daly) with a gambling problem, also a hero in the bank, nearly loses his job when he protests the way his department handled the crisis. An assistant district attorney (Kim Raver), also a hostage, must weigh how much backing up the cop will cost her.

But the revelations about the characters, drawn out week by week, come too slowly, and in some cases lack believability. This crime drama, with its creative premise, would perhaps have worked better as a movie.


Mary Hopkins

Mary is a World Journalism Institute graduate and former WORLD correspondent.

COMMENT BELOW

Please wait while we load the latest comments...

Comments