Mythical adventures

Calvin College professor emeritus Gary Schmidt begins his latest book Styx and Stones (Clarion Books, 240 pp.) in the depths of the Underworld. Here Simon has been wandering for centuries, learning from dead philosophers and writers while ­trying to escape. When he finally does, he finds himself mysteriously trying to navigate seventh grade in modern time.

The unfolding plot explores how friendship can change life’s outcomes and provide hope during the hardships of growing up. Simon is prepared to give his life for his friend, Zeke. And Zeke, in return, grapples with the value of friendship. As Zeke becomes more comfortable with the benefits of a good friend, he begins to accept the cost involved. There are some poignant parts when a good life on this earth is contrasted with the darkness of below, but it is framed through ideas of kindness and hanging out with those you love.

For those fascinated with Greek mythology, this book offers a glimpse into the Kingdom of Hades and includes many allusions to Greek heroes and deities. Parents should note that characters engage in conversations about the existence of hell and demons, but the underworld in the novel is completely based on folklore. A few inappropriate words make their appearance, and in one scene weed and being “high” are mentioned. There are also some potentially scary scenes for sensitive readers in which demons torture characters, although it is relatively mild. However, for older kids firm in their faith looking for a book about the difficulties of ­middle school, there are funny moments alluding to classical mythology and a decent story about the benefits of a good friend. —J.C.

In 100 Cupboards: The Graphic Novel (HarperAlley, 256 pp.), author N.D. Wilson and illustrator Forrest Dickison team up to create a fresh, action-packed adaptation of a beloved original. Henry York is staying at his uncle’s isolated Kansas farm. When strange things start happening in the middle of the night, Henry doesn’t know what to think. Chipping away at a crack in the plaster, he uncovers compass dials and a plethora of little cupboards, which turn out to be mini-doors leading to other worlds.

When his boldly inquisitive cousin, Henrietta, disappears through the largest of the cupboards, Henry must choose between being safe or courageous. Little does he know what evil awaits as he journeys into the unknown, nor what consequences will follow. Henry’s timidity and indecisiveness fall away in the face of necessity—to find the truth about himself as secrets about his own identity are uncovered, and to protect those he cares about in the process.

Note: Along with references to magic, there are scary images of a bloodthirsty witch seeking a return to power, a keen distinction between good and evil, and the implication that a battle in which Henry and his friends will play a major part is yet to come. —J.L.