In the music spotlight: Pink | WORLD
Logo
Sound journalism, grounded in facts and Biblical truth | Donate

In the music spotlight: Pink

Pink's popularity reflects good marketing more than a good role model


You have {{ remainingArticles }} free {{ counterWords }} remaining. You've read all of your free articles.

Full access isn’t far.

We can’t release more of our sound journalism without a subscription, but we can make it easy for you to come aboard.

Get started for as low as $3.99 per month.

Current WORLD subscribers can log in to access content. Just go to "SIGN IN" at the top right.

LET'S GO

Already a member? Sign in.

The temptation is strong to cite the confessional lyrics of Alecia Moore-a.k.a. Pink-as proof of the devastation wrought by the breakdown of the family. In song after song, the persona that emerges from M!ssundaztood (Arista), Miss Moore's quadruple-platinum second album, is licking either its wounds (inflicted by warring parents and predatory males) or its lips (at the thought of teaching those parents and males a lesson).

What those inclined to turn her into a poster child should remember is that Miss Moore, now 23, has been a would-be show-business professional since her mid-teens, trying on guises, situations, and styles in search of a combination that would make her a star. Her ruminations therefore have been honed with a demographic (and a rather stereotypical one at that: the teenage damsel in distress) in mind. And although her sales suggest a broad-based empathy, they could just as easily suggest nothing more than the perennial appeal of catchy vulnerability.


Arsenio Orteza

Arsenio is a music reviewer for WORLD Magazine and one of its original contributors from 1986.

@ArsenioOrteza

COMMENT BELOW

Please wait while we load the latest comments...

Comments