Sound journalism, grounded in facts and Biblical truth | Donate

Escape from anger

Wild Things wonderfully captures a boy's sense of abandonment

Warner Bros. Pictures

Escape from anger
You have {{ remainingArticles }} free {{ counterWords }} remaining. You've read all of your free articles.

Full access isn’t far.

We can’t release more of our sound journalism and commentary without a subscription, but we can make it easy for you to come aboard.

Get into news that is grounded in facts and Biblical truth for as low as $3.99 per month.


Already a member? Sign in.

A lot of confused, disappointed little faces are going to be exiting director Spike Jonze's adaptation of the classic children's story Where the Wild Things Are. The PG rating may suggest family viewing, but while there's nothing more than mild language and slightly intense action to keep kids away, there's also not much beyond those furry monsters to engage them. Thankfully, the same can't be said for grown-up moviegoers.

Where the Wild Things Are is essentially a film for adults and older children that looks back on childhood. Max, as everyone who's read the book will remember, is an angry little boy with a big imagination. Beyond that, author Maurice Sendak never gave readers much information. And perhaps because of this absence, there was always something odd and thrilling about the simple little picture book-we never knew whether Max reformed from his tantrum-throwing ways or what prompted them in the first place.

Jonze fills in those holes with the sorrows and disappointments many of us felt in childhood but didn't yet have a name for. The biggest motivator for both Max's (Max Record) bad behavior and his escape into fantasy is his sense of abandonment. His big sister and former playmate leaves him behind for older male companions she finds far more intriguing. His father has apparently left through divorce. And now his mother (Catherine Keener), though she loves him, is beginning to give her attention to a new man.

That's a lot for one little boy to process, and he is only able to do so by transposing the conflicts onto make-believe monsters who, when they do frighten him, do so not with their big teeth but with their anger and resentment that mirrors his own.

Jonze isn't always successful in his sometimes-esoteric interpretation of the book. But his attempt shows that he has sensitivity to the smaller dramas of the human experience.

Megan Basham

Megan is a former film and television editor for WORLD and co-host for WORLD Radio. She is a World Journalism Institute graduate and author of Beside Every Successful Man: A Woman’s Guide to Having It All. Megan resides with her husband, Brian Basham, and their two daughters in Charlotte, N.C.



Please wait while we load the latest comments...


Please register, subscribe, or login to comment on this article.