Agent of the state | WORLD
Logo
Sound journalism, grounded in facts and Biblical truth | Donate

Agent of the state

Red Sparrow depicts the evils of socialist authoritarianism, but its explicit content goes too far


You have {{ remainingArticles }} free {{ counterWords }} remaining. You've read all of your free articles.

Full access isn’t far.

We can’t release more of our sound journalism without a subscription, but we can make it easy for you to come aboard.

Get started for as low as $3.99 per month.

Current WORLD subscribers can log in to access content. Just go to "SIGN IN" at the top right.

LET'S GO

Already a member? Sign in.

Because of its shocking content, I could never recommend Red Sparrow. Yet the fact that it was made at all—with Hollywood’s third-highest-paid actress, no less—seems worthy of attention.

Like the popular cable drama The Americans, Red Sparrow takes socialism seriously. Dominika Egorova (Jennifer Lawrence) is a modern-day prima ballerina with the Bolshoi. But, for all her talent, her livelihood is entirely dependent on the Russian government. Once she suffers a career-ending injury, she learns her country will provide only a bare subsistence for her and her sick mother. Her uncle, a highly placed official, offers Dominika the option to serve as a “sparrow”—a secret agent trained to kill, lie, and, most importantly, seduce.

In a typical spy flick, Dominika’s “training” would probably look sexy. But Red Sparrow isn’t typical. In a series of pathetic and gross encounters, she’s taught that because the government nourishes her body, it also owns it. If the state wants to use her flesh to manipulate other flesh, it’s her duty as a patriot to choke down her disgust and submit to degradation. She does, not to serve her country, but to stay alive. However, when she seduces an American agent who cares more about individuals than ideologies, her survival mentality is disrupted. She further discovers the moral consequences of her form of government when she uncovers a Russian double agent.

Notwithstanding Red Sparrow’s explicit violence and sexual content, it’s a rare film that casts the American ideal in a positive light and contrasts it darkly with real rather than theoretical socialism. It’s a shame it does so with such raw, R-rated material when a more restrained hand could have still gotten the point across. Of course, the less interesting content about “female sexual agency in a male power structure” is what most of the media are homing in on. And isn’t that what the spy game is all about? The sleight of hand that makes you look at the shiny, temporary thing rather than the deeper message being transmitted behind it.


Megan Basham

Megan is a former film and television editor for WORLD and co-host for WORLD Radio. She is a World Journalism Institute graduate and author of Beside Every Successful Man: A Woman’s Guide to Having It All. Megan resides with her husband, Brian Basham, and their two daughters in Charlotte, N.C.

@megbasham

COMMENT BELOW

Please wait while we load the latest comments...

Comments