Faith or fashion? | WORLD
Logo
Sound journalism, grounded in facts and Biblical truth | Donate

Faith or fashion?

Christianity’s cultural revival—and why it isn’t enough


You have {{ remainingArticles }} free {{ counterWords }} remaining. You've read all of your free articles.

Full access isn’t far.

We can’t release more of our sound journalism without a subscription, but we can make it easy for you to come aboard.

Get started for as low as $3.99 per month.

Current WORLD subscribers can log in to access content. Just go to "SIGN IN" at the top right.

LET'S GO

Already a member? Sign in.

We are told that America is witnessing a Christian revival. On closer inspection, however, it appears to be something closer to a Christian remix. That distinction matters, especially for believers who actually care about the faith rather than mere aesthetics.

Yes, something has shifted in the culture. Christian language has crept back into public life. Worship-adjacent music makes the charts again. Celebrities wear crosses on red carpets. Politicians pledge to “stand with Christians.” Even NPR, not exactly a revival tent, has wondered aloud whether Christianity is enjoying a moment. For weary believers, this can feel like an answered prayer. After years in the wilderness, the terrain finally looks familiar.

But familiarity is not fidelity, and comfort is not conviction.

Culture is not church. Visibility is not vitality. Christianity that flatters the age rather than forming souls is not revival. It is closer to sedation with a soundtrack.

Start with the most basic measure: attendance. Churchgoing in America continues to fall, not rise. Weekly worship has been declining for decades, and the pandemic merely accelerated the exit. Millions still identify as Christian on surveys yet haven’t entered a church in months—sometimes years. Faith has become ambient—a label or a background hum. It reassures without demanding.

A faith that doesn't gather doesn't endure.

This is where the revival narrative breaks down. What we are seeing is not a return to shared worship, shared discipline, or shared belief. It is Christianity stripped of its weight and repackaged for mass consumption. The language borrows from Scripture. The tone borrows from worship. But the substance rarely requires repentance or sacrifice. Belief becomes branding. Grace is emphasized. The cross, less so. Sin is implied but rarely named.

The numbers confirm what empty pews already signal. A 2025 report from the Cultural Research Center at Arizona Christian University, led by veteran researcher George Barna, found that the share of Americans identifying as Christian fell from 72 percent in 2020 to 66 percent in 2025—roughly 15 million adults in just five years. At the same time, the number of Americans claiming no faith climbed toward 60 million.

Even more troubling than affiliation is belief. Most American adults now reject the idea of absolute moral truth. Right and wrong are increasingly defined by feelings, convenience, or consensus. Among self-identified Christians, large majorities admit they do not primarily ground moral decisions in Scripture. Truth, once received, is now assembled—customized like a playlist.

Christianity appears everywhere and nowhere at once. It trends online while thinning offline.

The music charts offer a revealing example. Yes, Christian-inflected songs have crossed into the mainstream, even appearing on the Billboard Hot 100. But commercial success is not spiritual renewal. Contemporary Christian music has been a lucrative industry for decades. Its renewed visibility reflects marketing savvy and broader cultural shifts, not widespread repentance. The sound travels well because it asks little. It fits neatly between workouts and commutes.

Church does not work that way. Church demands presence, not passive consumption. It requires time ordered around worship, submission to authority beyond the self, and a willingness to confess, be corrected, and obey even when obedience is costly. That pattern runs directly against modern America’s habits of self-authorship and constant self-justification.

What we are witnessing instead is a shift from Christianity as a lived faith to Christianity as a loose identity. Many Americans still like the moral residue Christianity provides. They like its language of love, dignity, and meaning. What they do not like are the limits. The Sermon on the Mount is admired but rarely obeyed. The cross is celebrated but seldom carried.

This explains the strange contradiction of the moment. Christianity appears everywhere and nowhere at once. It trends online while thinning offline. It is defended politically while neglected spiritually. It is praised as heritage but ignored as authority.

A faith sustained by vibes cannot survive pressure. Historically, Christianity thrived not when it was fashionable but when it was formative—when belief was reinforced by habit, doctrine was taught rather than hinted at, and worship was embodied rather than mediated. Remove those anchors, and what remains is spiritual individualism dressed in borrowed symbols.

There is, however, a reason for cautious hope. The Barna research points to one telling exception: Among theologically defined, born-again Christians, belief in absolute truth has modestly strengthened. This is not accidental. Communities that teach clearly, gather regularly, and discipline lovingly still produce coherence. Where Christianity is practiced seriously, it retains its power. Where it is treated casually, it dissolves.

The lesson is bracing but necessary. True revival arrives in pews. It is marked by repentance, not relevance. Some will say that even shallow interest is better than none at all, and that may be true in a narrow sense. But if Christianity is to endure in America, interest must mature into instruction, gathering, and faithful practice.

Christians should be hopeful, but not complacent. Comfort and nonchalance are not paths to renewal. They are shortcuts to decay. Until attendance at church rises, belief deepens, and truth regains authority, talk of revival is premature.


John Mac Ghlionn

John Mac Ghlionn is a writer and researcher known for his commentary on geopolitics, culture, and societal issues.


Read the Latest from WORLD Opinions

Ericka Andersen | Writer turns linguistic and ideological cartwheels to make the case that a woman can be “a little bit pregnant”

David Closson | Safeguards fall away as assisted suicide expands in Australia and Canada

Eric Patterson | Marx-inspired candidates say some radical things about faith, but they don’t say much about protecting fundamental liberties

Ray Hacke | A male cross country runner, his female teammates, and the need for truth and justice on Nov. 3

COMMENT BELOW

Please wait while we load the latest comments...

Comments